Sometimes I feel like I'm obsessed with the past. I have trouble relating to politics today because I only know about the roots. Same as with literature--I have no idea what big trends are happening right now, but ask be about turn of the century and a little after (and of course before), I'll talk your ear off. It feels alienating because I'm unable to talk to many people. About half of my current friends didn't go to college, don't have any interest to go, and some are all out intellectual-haters. I don't know how it happened, but maybe it's just *insert regionalist slur*.
But then sometimes I look at the big picture and it seems like a bunch of society is doing it. Think about how many efforts are out there to restore art and architecture. In ways unlike before, we are studying the past without destroying it. This is somewhat due to innovations in technology--we no longer have to cut open mummies, we have ultrasound, etc etc. But it also seems to be something that appeals to us at this moment. Vintage clothing, retro style is all about cataloging the past and incorporating it into the present. It seems like this is happening to the extent that today, we don't have an identity--everything is a mashed-up, borrowed combination of every previous trend.
This reminds me of Girl Talk and other mash-up musicians. I wonder about the authenticity of their craft. Yes they are creating, but not from individual materials. But if you think about music specifically, it's pretty much been impossible to make anything new for centuries. There are only so many notes, so many novel combinations. But listening to his music, it's impossible to say that his songs don't evoke different emotions than their original pieces. Yet, when I recognize the components, it just reminds me of how I feel when I listen to them individually.
And even still, writing about this idea that nothing is new, everything is done, I can't help but think about Baudelaire and how not much has changed in 150 years.
Monday, April 11, 2011
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